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    I'm reading the Kybalion, reacquainting myself with the 7 Hermetic Laws. Upon reading the Principle of Vibration which states:

    III. THE PRINCIPLE OF VIBRATION.
    “Nothing rests; everything moves; everything vibrates.”–The Kybalion.

    This Principle embodies the truth that “everything is in motion”; “everything vibrates”; “nothing is at rest”; facts which Modern Science endorses, and which each new scientific discovery tends to verify. And yet this Hermetic Principle was enunciated thousands of years ago, by the Masters of Ancient Egypt. This Principle explains that the differences between different manifestations of Matter, Energy, Mind, and even Spirit, result largely from varying rates of Vibration. From THE ALL, which is Pure Spirit, down to the grossest form of Matter, all is in vibration–the higher the vibration, the higher the position in the scale. The vibration of Spirit is at such an infinite rate of intensity and rapidity that it is practically at rest–just as a rapidly moving wheel seems to be motionless. And at the other end of the scale, there are gross forms of matter whose vibrations are so low as to seem at rest. Between these poles, there are millions upon millions of varying degrees of vibration. From corpuscle and electron, atom and molecule, to worlds and universes, everything is in vibratory motion. This is also true on the planes of energy and force (which are but varying degrees of vibration); and also on the mental planes (whose states depend upon vibrations); and even on to the spiritual planes. An understanding of this Principle, with the appropriate formulas, enables Hermetic students to control their own mental vibrations as well as those of others. The Masters also apply this Principle to the conquering of Natural phenomena, in various ways. “He who understands the Principle of Vibration, has grasped the sceptre of power,” says one of the old writers.
    Surely this knowledge can be, and is, used in a plethora of applications. One's that spring to mind being magick and in particular healing of the self and others.

    Has anyone used this knowledge, or any of the principles, as a tool for getting deeper into any type of practical work?
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    I think it's important thing to remember when conceptualizing our environment and internal environment. I think it also gives people a valuable understanding when thinking of higher vibrations as higher energy and divine, where as lower vibrations as being earthly. A primal vibration "RWWOAWBN" sound and heavy red sensation is often around people that are opening up and releasing their stored primal, base spine energy, for some reason complementing colors are often observed. Some sounds can be seen to open up people's energy centers.

    There is value in studying vibrations, waves and how they interact with each other and then looking for similarities in observance of other things. There are many ways of observing and conceptualizing vibration, like with curves of relativity or plotting of timing if the timing is relevant.

    In healing applications it's good to know the chinese medicine organ chi fluctuations. There are certain times of day when it is ideal to tonify an organ and there are times of day where it is ideal to purge an organ, ignoring the daily and annual rhythms of tides in the organs will lead to inconsistent results. This is also good for astrology and figuring out how to organize or feng shui one's life. Also, by imagining a pendulum if you hit the pendulum at the right time you can increase the energy stored within but if you hit it at the wrong time the energy will decrease, that is why ritual is important to do on a regular basis but also using instinct or feeling the flow to do it at the right time, there is a science to the manipulation of this energy. If one knows electrical engineering it will aid in other aspects of life, as well if one understands music and light theory.

    People turn energy in their dan tien/hara to a shaking vibration that can be emitted by the hands as a shaking palm. The energy is felt as a shaking vibration and it's used to break up blockages forcefully. Many times this is used for people that have many blockages or have insistent resistance or insensitivity. They will often times on people with heavy blockages also do vocal sounds vibrations and different tones relating to the type of tension present or certain vocalizations and notes are used for certain organs. If the person is sensitive, then they rely on light.

    Also, when visualizing energies sometimes it gets better results if you visualize it in time integral hologram. So when this happens you look at something as an integral of time, not entire time, but as if viewing it in a camera with long exposure everything starts to blur, by putting intention into a bunch of seconds within an instant, there is more energy efficiency, at least there is a greater placebo affect. :P

    I think it's great to visualize everything as vibration. And it will open more opportunities while visualizing things as vibrations rather than solid. It promotes good character to visualize things as constantly in motion rather than solid. Also, to be constantly in motion in mind, body, and energy has many health benefits.

    Understanding sound and how waves interact is a very important tool for understanding consciousness and reality after death, especially. Relating sensations in the body to sound is also useful as one can imagine increasing vibrations or transforming vibrations, and there are more cost effective ways of doing these things based on one's knowledge of manipulating vibration. This is giving me a lot of good ideas, I want to demonstrate on video in the future, whenever I am able to.

    Sometimes thinking outside the box isn't as important as thinking inside two boxes at once, or maybe if thinking of the box in terms of Shrodinger will suffice. :P
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    Neophyte RelentlessBlonde is on the spiritual path
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    Hi, Apparently I'm a neophyte. I just joined this forum today. I'm pretty impressed by this site and am overwhelmed by how much there is to learn. I've been trying to research/explain some experiences I've had and have never, till today found anything remotely similar to compare it to. This article mentions shaking vibrations through the hands. In 1988 I had a teacher that took me on a little 'magical mystery tour' which started with an energy shift (and this is an understatement) through the palm of his hand and took off from there. This experience completely reshaped my view of reality and I am anxious to know more. Can you give me any direction? RB

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    Thanks for sharing! That sounds like a very cool experience. I unfortunately have a limited experience with this. But I find that everyone's partial experience combined makes for a much greater knowledge. I will just post what quotes I think might have some hints, then I'll share my own limited understanding.

    Quote Originally Posted by Kybalion
    "To change your mood or mental state--change your
    vibration."--The Kybalion.

    One may change his mental vibrations by an effort of Will, in the direction of deliberately fixing the Attention upon a more desirable state. Will directs the Attention, and Attention changes the Vibration. Cultivate the Art of Attention, by means of the Will, and you have solved the secret of the Mastery of Moods and Mental States.
    So this basically is objectifying the phenomena of our experience in order to affect it. Name it and work on it.

    Quote Originally Posted by The Science of Mind
    Telepathy ... in order to mentally receive a message, and bring it to the surface, one must be in tune with the vibration of that message.

    Everything that has ever been thought, said or done, is retained in the race-thought; and since this field is a unit, all of the vibrations are ever present, and may be contacted at the point of any one's mentality.

    A psychic ... is able to enter the vibration of an individual's thought and read from the book of his remembrance. The personal reading seems to be limited to the subjective remembrance, although this is often very far-reaching.

    Each maintains a stream of consciousness in the One Mind, and any one contacting this stream may objectify it. Because of the Universality of the Medium, the individual stream of consciousness is always omnipresent, whether the one from whom it emanated be in the flesh or out of it.

    Time and space are unknown in Mind, the past and the present are one. In reading the thought of people set down in books, we enter their vibration, and in studying their thoughts we enter their stream of consciousness.

    The human aura is the mental vibration or emanation of the individual. The idea of the halo surrounding the heads of the saints is explained in this way. The personal atmosphere varies with the changing thought and emotion, and is sometimes pleasant and at other times unpleasant.

    Habits are formed through conscious thought becoming subjective, and in its turn, controlling the one through whom it operates. Mania is a strong desire, subjectified, which becomes an obsession.

    People may become obsessed with their own ideas or with those that operate through them from some foreign source, whether this source is from some one in the flesh or out of it. Obsession is always some form of mental suggestion. Insanity is the loss of the objective faculty.

    The psychic power must always be controlled. A normal state is a perfect balance between the objective and the subjective faculties. This is the aim of evolution: to produce a man who, at the point of his objective faculty, may perfectly control the subjective. A trance state is abnormal, and only that psychic faculty is normal which is under full control of the self-discerning mind.

    Clairvoyance is the ability to see without the physical eye. Psychometry is a clairvoyant state wherein the medium is able to enter the subjective side of things and read the atmospheres surrounding them; this is why mediums often wish to hold some familiar object in their hands while giving readings.

    Clairaudience is the ear of the soul. Independent voices sometimes come from the air, proving that some inner power is able to express itself audibly. Apparitions are thought forms, and may come from the living or from the dead; at times they come as a warning.
    This was describing the art of telepathy. The thing when you get into a zone you need little thought or effort to use this approach. Just because you need to tap into a vibration to work on it, doesn't mean you have to visualize yourself doing it. Many times you will just pick up a program in your subconscious that will do it automagically for you, many times all you have to do is ask for it with your whole mind. When you ask for things ask from your heart, belly and mind, if your whole body does not want something that is usually the major limitation. Now days I can scan a whole scene a pick up everyone's vibration and thoughts in their head without my eyes even being open.

    Quote Originally Posted by Think and Grow Rich
    MORE than twenty years ago, the author, working in conjunction with the late Dr. Alexander Graham Bell, and Dr. Elmer R. Gates, observed that every human brain is both a broadcasting and receiving station for the vibration of thought.

    Through the medium of the ether, in a fashion similar to that employed by the radio broadcasting principle, every human brain is capable of picking up vibrations of thought which are being released by other brains.

    In connection with the statement in the preceding paragraph, compare, and consider the description of the Creative Imagination, as outlined in the chapter on Imagination. The Creative Imagination is the "receiving set" of the brain, which receives thoughts, released by the brains of others. It is the agency of communication between one's conscious, or reasoning mind, and the four sources from which one may receive thought stimuli.

    When stimulated, or "stepped up" to a high rate of vibration, the mind becomes more receptive to the vibration of thought which reaches it through the ether from outside sources. This "stepping up" process takes place through the positive emotions, or the negative emotions. Through the emotions, the vibrations of thought may be increased.

    Vibrations of an exceedingly high rate are the only vibrations picked up and carried, by the ether, from one brain to another. Thought is energy travelling at an exceedingly high rate of vibration. Thought, which has been modified or "stepped up" by any of the major emotions, vibrates at a much higher rate than ordinary thought, and it is this type of thought which passes from one brain to another, through the broadcasting machinery of the human brain.

    The emotion of sex stands at the head of the list of human emotions, as far as intensity and driving force are concerned. The brain which has been stimulated by the emotion of sex, vibrates at a much more rapid rate than it does when that emotion is quiescent or absent.

    The result of sex transmutation, is the increase of the rate of vibration of thoughts to such a pitch that the Creative Imagination becomes highly receptive to ideas, which it picks up from the ether. On the other hand, when the brain is vibrating at a rapid rate, it not only attracts thoughts and ideas released by other brains through the medium of the ether, but it gives to one's own thoughts that "feeling" which is essential before those thoughts will be picked up and acted upon by one's subconscious mind.

    Thus, you will see that the broadcasting principle is the factor through which you mix feeling, or emotion with your thoughts and pass them on to your subconscious mind.

    The subconscious mind is the "sending station" of the brain, through which vibrations of thought are broadcast. The Creative Imagination is the "receiving set," through which the vibrations of thought are picked up from the ether.

    Along with the important factors of the subconscious mind, and the faculty of the Creative Imagination, which constitute the sending and receiving sets of your mental broadcasting machinery, consider now the principle of auto-suggestion, which is the medium by which you may put into operation your "broadcasting" station.

    Through the instructions described in the chapter on auto-suggestion, you were definitely informed of the method by which DESIRE may be transmuted into its monetary equivalent.

    Operation of your mental "broadcasting" station is a comparatively simple procedure. You have but three principles to bear in mind, and to apply, when you wish to use your broadcasting station--the SUBCONSCIOUS MIND, CREATIVE IMAGINATION, and AUTO-SUGGESTION. The stimuli through which you put these three principles into action have been described--the procedure begins with DESIRE.
    I think more the repetition or angles someone hears something or reads something the fuller understanding they have to utilize it. It's like when learning math, even though you understood it before the more angles you have the easier it is to extrapolate and actually create the conceptual picture.

    An important thing in here is that the author is saying sexual energy (not necessary sexual in nature) is the highest vibration of raw material we can work from. This is something most authors acknowledge.

    Gurdjieff, a prominent writer on esoteric matters, even describe the sex vibration as hydrogren Si 12. So if you were to Do Re Mi Fa Sol La Si, this is the energy of vibration. I like to imagine that 12 is number of octaves but I have not read the work enough to really understand.

    Quote Originally Posted by Gurdjieff
    But the alchemists spoke of this transmutation in the allegorical forms of the transformation of base metals into precious ones. In reality, however, they meant the transformation of coarse 'hydrogens' into finer ones in the human organism, chiefly of the transformation of mi 12....Real, objective results can be obtained only after the transmutation of mi 12 has begun.
    Quote Originally Posted by Gurdjieff
    Si 12 is the highest substance produced in the organism from physical food with the help of the 'additional shock' obtained from the air.
    Source:
    http://www.scribd.com/doc/3967669/Th...-Way-OUSPENSKY
    Hard-Copy:
    http://astore.amazon.com/esotforueso...ail/0394716728

    More info on pythagorean music theory:
    http://www.sacred-texts.com/eso/sta/sta19.htm

    Quote Originally Posted by Science of Breath
    In all vibration is to be found a certain rhythm. Rhythm pervades the universe. The swing of the planets around the sun; the rise and fall of the sea; the beating of the heart; the ebb and flow of the tide; all follow rhythmic laws. The rays of the sun reach us; the rain descends upon us, in obedience to the same law. All growth is but an exhibition of this law. All motion is a manifestation of the law of rhythm.

    Our bodies are as much subject to rhythmic laws as is the planet in its revolution around the sun. Much of the esoteric side of the Yogi Science of Breath is based upon this known principle of nature. By falling in with the rhythm of the body, the Yogi manages to absorb a great amount of Prana, which he disposes of to bring about results desired by him. We will speak of this at greater length later on.

    The body which you occupy is like a small inlet running in to the land from the sea. Although apparently subject only to its own laws, it is really subject to the ebb and flow of the tides of the ocean. The great sea of life is swelling and receding, rising and falling, and we are responding to its vibrations and rhythm. In a normal condition we receive the vibration and rhythm of the great ocean of life, and respond to it, but at times the mouth of the inlet seems choked up with debris, and we fail to receive the impulse from Mother Ocean, and disharmony manifests within us.

    You have heard how a note on a violin, if sounded repeatedly and in rhythm, will start into motion vibrations which will in time destroy a bridge. The same result is true when a regiment of soldiers crosses a bridge, the order being always given to "break step" on such an occasion, lest the vibration bring down both bridge and regiment. These manifestations of the effect of rhythmic motion will give you an idea of the effect on the body of rhythmic breathing. The whole system catches the vibration and becomes in harmony with the will, which causes the rhythmic motion of the lungs, and while in such complete harmony will respond readily to orders from the will. With the body thus attuned, the Yogi finds no difficulty in increasing the circulation in any part of the body by an order from the will, and in the same way he can direct an increased current of nerve force to any part or organ, strengthening and stimulating it.

    In the same way the Yogi by rhythmic breathing "catches the swing," as it were, and is able to absorb and control a greatly increased amount of prana, which is then at the disposal of his will. He can and does use it as a vehicle for sending forth thoughts to others and for attracting to him all those whose thoughts are keyed in the same vibration. The phenomena of telepathy, thought transference, mental healing, mesmerism, etc., which subjects are creating such an interest in the Western world at the present time, but which have been known to the Yogis for centuries, can be greatly increased and augmented if the person sending forth the thoughts will do so after rhythmic breathing. Rhythmic breathing will increase the value of mental healing, magnetic healing, etc., several hundred per cent.

    In rhythmic breathing the main thing to be acquired is the mental idea of rhythm. To those who know anything of music, the idea of measured counting is familiar. To others, the rhythmic step of the soldier: "Left, right; left, right; left, right; one, two, three, four; one, two, three, four," will convey the idea.

    The Yogi bases his rhythmic time upon a unit corresponding with the beat of his heart. The heart beat varies in different persons, but the heart beat unit of each person is the proper rhythmic standard for that

    particular individual in his rhythmic breathing. Ascertain your normal heart beat by placing your fingers over your pulse, and then count: "1, 2, 3, 4, 5, 6; 1, 2, 3, 4, 5, 6," etc., until the rhythm becomes firmly fixed in your mind. A little practice will fix the rhythm, so that you will be able to easily reproduce it. The beginner usually inhales in about six pulse units, but he will be able to greatly increase this by practice.

    The Yogi rule for rhythmic breathing is that the units of inhalation and exhalation should be the same, while the units for retention and between breaths should be one-half the number of those of inhalation and exhalation.

    The following exercise in Rhythmic Breathing should be thoroughly mastered, as it forms the basis of numerous other exercises, to which reference will be made later.

    (1) Sit erect, in an easy posture, being sure to hold the chest, neck and head as nearly in a straight line as possible, with shoulders slightly thrown back and hands resting easily on the lap. In this position the weight of the body is largely supported by the ribs and the position may be easily maintained. The Yogi has found that one cannot get the best effect of rhythmic breathing with the chest drawn in and the abdomen protruding.
    (2) Inhale slowly a Complete Breath, counting six pulse units.
    (3) Retain, counting three pulse units.
    (4) Exhale slowly through the nostrils, counting six pulse units.
    (5) Count three pulse beats between breaths.
    (6) Repeat a number of times, but avoid fatiguing yourself at the start.
    (7) When you are ready to close the exercise, practice cleansing breath, which will rest you and cleanse the lungs.

    After a little practice you will be able to increase the duration of the inhalations and exhalations, until about fifteen pulse units are consumed. In this increase, remember that the units for retention and between breaths is one-half the units for inhalation and exhalation.

    Do not overdo yourself in your effort to increase the duration of the breath, but pay as much attention as possible to acquiring the "rhythm," as that is more important than the length of the breath. Practice and try until you get the measured "swing" of the movement, and until you can almost "feel" the rhythm of the vibratory motion throughout your whole body. It will require a little practice and perseverance, but your pleasure at your improvement will make the task an easy one. The Yogi is a most patient and persevering man, and his great attainments are due largely to the possession of those qualities.
    I think I read somewhere to do everything at 70% and you'll be safe, while at the same time make progress. Sometimes people try to hard and they fizz or burn out and they take an unnaturally long time to recover. If you go 70% you can provide a constant and continuous effect or progress for whatever you aiming for.

    Quote Originally Posted by Sacred Science Behind Miracles
    If we were confronted today by the need to make up a list of terms descriptive of the various elements in Huna psychology, we would, undoubtedly, have recourse to symbols to cover more general meanings, just as did the ancient discoverers of Huna. It is to be supposed that the discoverers used psychic powers of observation to reach their conclusions. For instance, they found that the electro-vital force in the human body flowed, much as water flows. It followed a thread of shadowy body substance as electricity follows a wire or as water follows a pipe. Like water, it also flowed in a mass formation through the hands of the healers into the patients. Like a vine, it divided itself in its flow, going from the low self to the middle and to the High Self. Like the vine, which bore clusters of grapes, this climbing, dividing vital force carried clusters of thought forms upward to the middle self or High Self from the low self.

    The Hawaiian word for water is wai, which is shorter than the word mana, for vital force of the voltage used by the low self. Mana-mana means to branch out and move upward or outward as a growing vine. It symbolizes the vital force when raised in voltage and used by the middle self. Mana loa translates strongest vital force and represents the high voltage of force used by the High Self. By using the short wai, the kahuna indicated vital force in a general rather than a specific way.

    The word mana, for vital force is made of the roots ma and na combined. Ma means to entwine as a vine does a tree. The root na has a meaning not entirely clear in this connection, perhaps a formative or an "ing" meaning as in English (see ana), but for the purposes of this study it is sufficient to be able to identify in the word mana the symbol of the vine.

    Each of the three selves of man has its own invisible body. These were spoken of by the kahunas simply as shadowy bodies, disregarding the fact that there were three spirits in man and therefore three kinds of these invisible bodies. Aka means shadowy and kino means body, while lau means to spread out, four hundred, or signifies many, so, in the word kino-aka-lau, we have the term applied to a ghost or spirit, the word simply describing the ghost as one with several shadowy bodies, therefore a normal ghost having three selves. Other words for ghost, are: wai-lua, translating water-two, or a normal ghost with two voltages of vital force, and, it is taken for granted, the usual two selves and shadowy bodies. (It was customary to leave out the High Self in the construction of these terms as it was not believed to be closely associated in a physical sense with the two lower selves and was not visible to psychic sight); kino-wai-lua, translates, ghost-of-two-waters (voltages of vital force); aka-lau translates shadowy (bodies)--many.

    U: This root is a shortening of au as found in the word for the High Self, Au-ma-kua. It means a "self" or spirit or entity, as a separate and independent unit of consciousness, not as a part of another consciousness. The root u also begins the word for the middle self, uhane (which has but three roots). The secondary meanings of u (and these are particularly applicable to the low self) are (1) to project, indicative of the projection of threads of the shadowy body and flows of vital force along them; (2) to impregnate or tincture or intermingle with something else, which tells the story of how the low self and middle self are intermingled in the physical body as well as in their shadowy bodies; (3) to drip, leak or drizzle a slow drip of water, this meaning symbolizing the manufacture of vital force or mana by the low self, and its slow use in the work of living and of supplying the middle and, at prayer times, the High Self.

    Nihi: This root means to be thin and weak so as to appear almost broken. It embodies the symbolic description of the shadowy threads when they are not filled with vital force or activated--when they are as nothing. Hi: Here we have the symbol of the flowing of vital force. This root means to flow away, as water. Doubled to make hi-hi, the meaning becomes a vine, and points directly to the other meanings held in the vine and water symbols.

    Uhi: This double root has the meaning of a veil, skin or other covering. It symbolizes the covering of the lower selves by both the physical body and the shadowy bodies. After death the shadowy bodies of the low and middle selves remain interblended and act as a covering to contain the selves or conscious entities, low and middle, but not the High.

    Hini: Like Nihi, this root combination gives the meaning of thin and weak, as an unused thread of shadowy substance. It has a secondary meaning of speaking with a weak voice, as ghosts are supposed to do. (Both roots, especially nihi, give the meaning of silent, careful and secretive action, also that of refraining from certain actions for fear of displeasing those in authority. This indicates the way in which the low self does much of its work without its activities being brought to the attention of the middle self. It also points to the manner in which a complex causes the low self to refrain from certain actions.)

    Pi: This root has several meanings, but the one important to understanding the kahuna concept of the low self is that of water flowing drop by drop, symbolizing vital force in the water symbol, and, in the drops, which are small and round and almost invisible in rain, the thought forms carried on a mana flow. Rain has been used as a symbol combining this double meaning in prayers, and a further meaning has been included, that of a return downpouring of vitalized thought forms from the High Self--these taking the form of such conditions or events as compose the answers to prayers. Pili: This root has the meaning of sticking to a thing, as the shadowy body of the low self sticks to whatever it touches. Upon drawing away after the touch, the threads of shadowy substance are pulled out much as when one touches the sticky balsam on flypaper. There is also the meaning of attaching oneself to another as a servant, companion or close associate. This is a very definite and direct statement of the relationship of the low to the middle self.

    The word for the middle self is uhane, and from the shortness of the word and the little descriptive matter carried in its roots, it is to be seen that the kahunas of old did not believe that the middle self had much native ability other than that of using inductive reason. It was the guest in the bodily house, the teacher, guide and master. The root u has the meaning of a self, already discussed; ha is a pipe or channel for water, and indicates the ability of the middle self to take and convey the vital force made by the low self; ni means to talk or whisper. It may be noted that the ability to talk is peculiar to human beings and sets them off as apart from the rest of the animal kingdom. The idea of "talk" is found in the words used to name both the low and middle selves.



    Au-ma-kua for High Self, is one of three terms, the other two being, akua-noho or "the god who dwells with men," and akua-ulu, "the god who inspires men," as when a prophet sees the future and describes it. In Au-ma-kua, au is a self, also a period of time, a flow of water, an action of mind, and a condition in which one is entirely engaged in a certain course of action or in a course of conduct. Ma is to entwine as a vine. Kua is the high point of a land, as a mountain, giving the symbol of the High Self as higher or more evolved than the middle or low selves. The combined roots makua give the meaning of parent, so we have in the full word, Aumakua, the "older, entirely trustworthy parental self." The word akua has been translated "god," but it has more nearly the meaning of a higher being, thus a being supposed to be a step higher in the evolutionary scale than the Aumakua is called the Akua Aumakua. In Aumakua the root word akua stands out clearly (Au-m-akua, a formation which might give the word aum or om used in Oriental religions. It is to be guessed that in their travels from near Egypt to the South Seas, the kahunas left behind them some of their Huna ideas as they touched various lands on the route).

    The root la is part of many words used as symbols. It means the sun or light. It is the symbol of the normal condition when a man is free of complexes of guilt and his low self is in proper contact with the High Self, delivering to the High Self the prayers of the man as well as the vital force to be used to make the "seeds" or thought forms of the prayer "grow" and become the prayed-for condition. Spirituality (to use the word in the Western sense) is symbolized by light. La-a is to be consecrated and holy. A-la is a path, and symbolizes the normal path of connection along a connecting shadowy thread, with the High Self. Ka-la is to cleanse ceremonially to remove guilt fixations which "block the path." Ka is to radiate or reach between two places, and la is the Light, so this cleansing is a process that involves reaching to touch the source of the symbolic Light, the High Self. La-la means to branch out or divide, which is a pointer toward the vine and the general symbology of vital force, indicating the relation of vital force and the connecting shadowy cord leading to the High Self. Hoo-lala in which the first root is the causative, gives the meaning of to make or lay a foundation for a work--this suggesting that a prayer with the division of vital force lays the foundation for an answer to the prayer.

    Ho-ano is translated, "to reverence in the highest degree," and this meaning was given the word in translating the Bible into Hawaiian over a century ago. From the roots of the word comes a meaning quite unlike the Christian idea of "reverence." The meaning derived is, from ho, to transfer something from one place to another, and from ano, seeds. To transfer seeds symbolizes sending thought forms of prayer along the shadowy cord to the High Self. Ano also has the meaning of "immediately" which connects this prayer process with immediate or instant healing.



    Hoo-la means to heal. From the roots it translates, "to cause light," and this causing of light or restoring the normal relation to the High Self, symbolizes the basic element in healing. Two very similar words are used for "to pray for something desired," these are wai-ha and wai pa. In both may be seen the word for water, wai, symbolizing vital force. In the first word the root ha means the tube or channel through which water is made to flow, showing that prayer is a process in which vital force flows to the High Self, and the expanded root a-ha gives the meaning of the thread or cord. In the root pa as used in the second word given for "to pray for something desired," we find the meaning of "to divide," which is the symbol of dividing or sharing vital force as between the low and High selves.

    There are many, many other words in the language used by the kahunas, which contain the direct or symbolic root meanings. One may safely conclude that such a closely interlocked set of meanings could not have been accidental. Modern usage follows the pattern laid down by the early Missionaries to Hawaii, who knew nothing of the science of Psychology and were not initiates into Huna. For this reason it is very natural that modern students of the Hawaiian language should object to root translations as used in this study. However, until such students can also show why hundreds of similar words should not have been translated according to the meanings of their roots by the Missionaries and by Lorrin Andrews when making his dictionary in 1865, it seems safe enough to use root translations so long as the general meanings average up.

    Without such root translations it is impossible to see the slightest reason for certain meanings having been given certain words. As an example, there is the word for "prophet," ka-u-la. This word means a rope, a cord or a string. Such meanings seem utterly foreign to the secondary meaning of "Prophet," but if one has a knowledge of the kahuna belief that a prophet gets his information concerning the future from the High Self, by way of a shadowy cord of connection, the implications become clear. The root ka has the familiar meaning of to reach from place to place as the shadowy cord. The root kau means to put something in a high place, as thought forms of a prayer for vision of the future, in the shadowy body of the High Self. The root la completes the picture by symbolizing the form of enlightening knowledge which comes only from the High Self.

    [Another Section]

    The various steps in the healing processes of Huna may be traced through the terms used by the kahunas. These terms, when translated through their root meanings and given additional meanings through the symbols used, furnish an insight into the theory as well as the practice of healing and related rites.

    To heal a person of physical or mental ills, or to cause his future to change for the better, the preliminary step is that of the ka-la or cleansing away of guilt and other fixations which block the path of free contact with the High Self of the patient. Hurts done to others must be stopped and old hurts made good. The attacks of spirits seeking to avenge the ones hurt must be stopped, if there are any. The cleansing rite of ka-la reopens the path of connection with the High Self.

    With the symbolic "path" opened to its normal condition, the prayer for the desired condition is to be made. This is a step involving three elements or actions. (1) A surcharge of vital force must be gathered by the officiating kahuna. (2) The prayer must be decided upon in detail and then thrice spoken to cause it to be made into a strong cluster of thought forms to be sent to the High Self, and (3) The High Self must be contacted and the prayer sent to it on a flow of vital force along the connecting shadowy cord.



    Action No. 1 is hoo-mana or "make mana." The dictionary translation for this word is "to worship," which is not at all what the roots suggest. Action 2 is hoo-ano-ano. The dictionary gives this word the meaning of "to solemnize the mind as for worship." The root translation gives several most important and illuminating meanings: (A) To make seeds, which symbolizes the making of the thought form cluster of the prayer. (B) To make an image, likeness or form, which is exactly what the making of the thought forms of the prayer accomplishes--a mental image of the thing desired. (C) To make a change or transformation of something, in this case a change from the present unwanted condition to the desired condition prayed for. (D) To make something new, which would be the purpose of a prayer for a new condition instead of a change in a condition already present. Action No. 3 was described in the usual prayer endings of the kahunas when they said, "Amama ua noa. Lele wale akua la." The external translation of these two phrases is given by Thrum as, "The prayer takes flight. Let the rain of blessings fall." However, the roots tell another story and show that Thrum reversed the sequence of the phrases. Amama means to give to the gods; ua is rain, which is the symbol of the vital force or thought forms (small balls of water symbolic of thought forms), and is the thing given; noa means to finish a prayer rite and has the translation of "release," in this case meaning to let the vital force and the thought forms pass from the low self to the High Self. In the second phrase, lele means to take upward flight, and symbolizes the movement of the prayer to the High Self. Wale has a strange meaning which cannot be translated by any English word. This is to act or do something without limitations being put on the means to be used. It means, also, to exist in a state of being not limited by time or space--in short, it describes well indeed the fact that we lower selves cannot understand the ways in which the High Self works to produce for us answers to our prayers. Akua la tells to whom the prayer has been sent, the High Self in its realm of symbolic Light. A secondary meaning in this phrase is to be found in the combined words giving lelewale, which has the general sense of asking for the "falling" or return descent of thought forms from the High Self to act as an omen to tell whether or not the prayer will be granted.

    When a prayer has been made, faith in the outcome is demanded in Christianity, so we look for the word for "faith" to see what the kahunas believed about faith. Their word was pau-lele, which means "to stop flying upward," and indicates a condition of confidence in which one stops praying.

    The condition of being healed is called hoo-la which means that the normal contact with the Light or High Self has been reestablished. A variation of the word is hoo-ola meaning "make life." In o-la the roots show that life depends on the symbolic action (o) of touching the High Self (la). The kahunas recognized no Salvation and no Savior, such as are found in many religions. For them salvation was a normal condition in which normal intercourse with one's High Self was maintained, either in physical life or in the after death state in which life continued in the shadowy bodies amidst the dream-like images of familiar surroundings.

    If a prayer had been made for a supply of worldly goods, the supply was called by the kahunas, la-ko, which, from the roots gives "to possess Light." It was believed that the High Self could provide all the necessities for the life and well-being of the lower selves, provided the normal contact was maintained in workable condition.
    As usual they grinned and said that of course the 'white' kahuna knew the trick of getting mana (power of some kind known to kahunas) out of air and water to use in kahuna work, and that we were wasting time talking about the thing no kahuna ever put into words--the secret handed down only from father to son.

    ...

    The vital force or mana of the kahunas has three strengths. If it is electrical in nature, as modern experiments have demonstrated, we may safely say that the three strengths of mana known to the kahunas equal three voltages.

    The kahuna words for the three voltages were mana, for the low voltage used by the subconscious spirit, and mana-mana for the higher voltage used by the conscious spirit as "will" or hypnotic force. There was a still higher voltage known as mana-loa or "strongest force," and this was thought to be used only by a superconscious spirit associated with the two lesser spirits to complete the triune man.

    ...

    The kahunas associated all thinking processes with mana. The word mana-o means "to think," the "o" added to show that the process is one of using mana to produce thought.

    ...

    Vital force--bodily electricity or low mana (the voltage peculiar to the low self and the body, not the middle self and the will or mind)--has an amazing characteristic which is still unknown to modern researchers. This characteristic is THAT IT RESPONDS TO THE COMMANDS AND DIRECTION OF THE CONSCIOUSNESS OF SENTIENT BEINGS almost as if it were itself conscious.
    Imagine the bones as tuning forks, by twisting and stretching muscles and tendons and using the naturally occuring vibrations in the chakras, you can learn to direct vibrations to the hands or any place on the body. Lower-abdomen vibration is felt as heat, emotional is in the heart, the vibration from the skull goes to the core of the body-spine and is like a dissolving light.

    One method to power up vibrations is stand in a very open posture, wuji posture, this requires legs apart, and spine straight and lower spine aligned so that it is downward, sort of like tucking the butt in, and knees bent and relaxed and fluid, while the chest in and shoulders in and head straight chin tucked in. For more information on posture. Alexander Technique is probably the best for understanding the importance of posture and getting rid of blockages or tensions stored in the body.

    The Alexander Technique by Sarah Barker:
    http://www.scribd.com/doc/7678792/Th...e-Sarah-Barker

    Hardcopy:
    http://astore.amazon.com/esotforueso...ail/0553112821

    Exercise to gather vibrations, put hands together as in prayer put elbow ~90 degrees and then put arms out ~45 degrees from body so the hand ends up coming close to shoulder. Press the top of head up, while pushing the kidneys backward. Relaxed hips, knees bent, tongue on palate, eyes closed. While breathing naturally focus on area beneath your belly button until you feel the heat and vibration circulating. Now as you exhale guide the energy up the chest and into the palms from the inside of the arms. Now as you inhale, draw energy around the back of the hands and fingers along the back of your arm and back into your belly. Then once the pathway is suggested, you can now focus back on your palms and fingers, feeling the energy as you breath naturally.

    Also, again when doing this do not try to force anything or try too hard, everything should be done naturally and at 70% percent. Just like how blowing the nose too hard will cause stagnation in the nose, it is the same thing.

    Once you can do this, then you can start focusing on qualities of energy and direct it to your palm. Reiki stresses using the spirit energy in the crown and emotional energy in heart center. But without the foundation in the belly, there isn't sufficient energetic currency to use those other centers efficiently.

    Hot energy will come from your belly, cold energy will come from feet and perineum. To make the energy shake imagine the waist as if it were vibrating and then direct that energy to the palms. All the pulsations or vibrations should originate in energy not the conscious moving or pulsating muscles or it might not be healthy.

    Vibration is used to pierce another person's field and to interact with it. So by using vibrations we can attune to other people and heal them or initiate them into higher vibrations or awareness.
    7 Laws MiracleScience MAG◊I◊C◊ M◊A◊N◊ P◊A◊T◊H◊
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    Neophyte RelentlessBlonde is on the spiritual path
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    Wow! Now we're getting somewhere. Thanks You so much.

    Peace Love Light,

    Lucinda

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    Quote Originally Posted by EyeCanBlackStars View Post
    I think it's important thing to remember when conceptualizing our environment and internal environment. I think it also gives people a valuable understanding when thinking of higher vibrations as higher energy and divine, where as lower vibrations as being earthly. A primal vibration "RWWOAWBN" sound and heavy red sensation is often around people that are opening up and releasing their stored primal, base spine energy, for some reason complementing colors are often observed. Some sounds can be seen to open up people's energy centers.

    There is value in studying vibrations, waves and how they interact with each other and then looking for similarities in observance of other things. There are many ways of observing and conceptualizing vibration, like with curves of relativity or plotting of timing if the timing is relevant.

    In healing applications it's good to know the chinese medicine organ chi fluctuations. There are certain times of day when it is ideal to tonify an organ and there are times of day where it is ideal to purge an organ, ignoring the daily and annual rhythms of tides in the organs will lead to inconsistent results. This is also good for astrology and figuring out how to organize or feng shui one's life. Also, by imagining a pendulum if you hit the pendulum at the right time you can increase the energy stored within but if you hit it at the wrong time the energy will decrease, that is why ritual is important to do on a regular basis but also using instinct or feeling the flow to do it at the right time, there is a science to the manipulation of this energy. If one knows electrical engineering it will aid in other aspects of life, as well if one understands music and light theory.

    People turn energy in their dan tien/hara to a shaking vibration that can be emitted by the hands as a shaking palm. The energy is felt as a shaking vibration and it's used to break up blockages forcefully. Many times this is used for people that have many blockages or have insistent resistance or insensitivity. They will often times on people with heavy blockages also do vocal sounds vibrations and different tones relating to the type of tension present or certain vocalizations and notes are used for certain organs. If the person is sensitive, then they rely on light.

    Also, when visualizing energies sometimes it gets better results if you visualize it in time integral hologram. So when this happens you look at something as an integral of time, not entire time, but as if viewing it in a camera with long exposure everything starts to blur, by putting intention into a bunch of seconds within an instant, there is more energy efficiency, at least there is a greater placebo affect. :P

    I think it's great to visualize everything as vibration. And it will open more opportunities while visualizing things as vibrations rather than solid. It promotes good character to visualize things as constantly in motion rather than solid. Also, to be constantly in motion in mind, body, and energy has many health benefits.

    Understanding sound and how waves interact is a very important tool for understanding consciousness and reality after death, especially. Relating sensations in the body to sound is also useful as one can imagine increasing vibrations or transforming vibrations, and there are more cost effective ways of doing these things based on one's knowledge of manipulating vibration. This is giving me a lot of good ideas, I want to demonstrate on video in the future, whenever I am able to.

    Sometimes thinking outside the box isn't as important as thinking inside two boxes at once, or maybe if thinking of the box in terms of Shrodinger will suffice. :P
    Can we say that Vibration can be thought of as Frequency? Or is there a subtle difference?

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